Promoting New Music Freya Day 25th April Anzac Day

Figure It Out
by 4arms and ansteller

This is a song I put up a long time ago as a demo. Ansteller sent me some awesome bass and guitar parts. I think they add so much to the song. This is just a remix of the original with ansteller's parts. Cheers all.

===

An Hour of Living
by MahogonyDiva

An hour of living last forever in YOU....

music produced by Zamzam and the MellyOMatic 2007

===

Dedication
by ShadowofNine

This is a Dedication to 3 friends here on Icompositions who have been kind enough to add bits to some of my tunes..This is a jazz/funk fusion piece I tried to give it that live off the floor feel, like friends jamming and having a good time in each others company. For my friends Jeff, James and Geo, I hope you all enjoy it...

Hope you like Dedication

===

Mars One (Arrival)
by Heightened

Just when you think you are about to wrap things up, something else comes to mind. Slowly it occurred to me that something was missing from the Mars series before I could take my long awaited trip home: Mars One (Arrival). Somehow the series seem to be out of tilt without a proper arrival so I'm submitting this late. Ideally I wish I could insert this piece at the beginning but I suppose that would only be possible in an ideal 'alien' world

===
Nearness Of You
by Rego

The singer is Ellan, a Texas Songbird with a beautiful voice. The song is a standard the world of jazz. It was my honor to play the tenor sax on this one.

===

iW o n d e r
by yosL, Lafayette and MahogonyDiva

Couldn't resist (working on MD "wondering" acap)
Hope you like......

Special appearence
with Lafayette on Lead guitar
Many Thx

yosL

===

Broadway Rag (1922)
by georgeptingley

From the tail end of the ragtime era comes James Scott's BROADWAY RAG (1922), one of my favorite rags. Listen close and you will hear a level of energy and optimism that is very, very New York.

I did a bit of quantizing on this one to give it a piano role sound. On the other hand, I did no compressing of piano velocities so we get a wide range of softs to louds (in MIDI terms velocities ranging from here 10 to around 120). This latter helps maintain some of that human feel.

George Peter Tingley